Author Archives: Indra Kupferschmid

Type excursion through Italy

Early June, I spent a week in northern Italy visiting print shops and other interesting sites on a small type field trip around Kerning conference. It was also an exploration of all the different types of trains Tren Italia is deploying these days. I flew to Milan Linate (wise decision), took the bus to the […]
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The unforseen merits of girls’ school?

This is an excerpt of an email I sent Amy Papaelias a while ago on the topic of (few) women in design. So you know where I’m coming from.   […] Throughout all of my youth and adult life, I rarely to never considered that anything that happened or didn’t happen in my life has […]
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Let’s have an all-female-speakers conference next year. TypeCon? ATypI? TypoBerlin? I’d have many ideas. Discuss.
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Female speakers at conferences

Yesterday, this discussion took place again on Twitter. I hear this complaint all the time, and sometimes complain myself, too. However, I also organized conferences and events in the past and know how hard it is to get more female speakers on board if you still want to cover the topics you find important to […]
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Equality in our industry

“I don’t want nobody to give me nothing. Open up the door, I’ll get it myself.” — This line from James Brown’s still timely song is what I have to think of every time I read another piece on gender and race inequality that stresses minorities and problems more than it offers suggestions for improvements. […]
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Typography on the Web

I’m pretty content. Almost all the things we got accustomed to in everyday (printed) typography are now also possible on the web — and more — if you only know and care enough about it. I don’t mourn poorly produced paperbacks when I can read a casual story on screen (and then delete it), nor do I miss huge […]
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Deutscher Gießzettel für Antiqua

bei Lieferung nach Minima, von 48p aufwärts: aaaaaaaaaaaaaaaaááààââääääbbbbbbbbccccççddddddddddddddddeeeeeee eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeééèèêêëëffffffffgggggggggg hhhhhhhhiiiiiiiiiiiiiiiiiiiiiiiiííììîîïïjjjjkkkkkkllllllllllllmmmmmmmmnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnooooooooooooóóòòôôööööppppppq qrrrrrrrrrrrrrrrrrrrrrrrrssssssssssssssssssttttttttttttttttttuuuuuuuuuu uuúúùùûûüüüüüüvvvvwwwwwwxxyyzzzzzzßßfififlflffff&&……..,,,,,,,,- – – – – -::::;;!!??(())[[]]’’**»»««„„““111122223344555566778899990000A AAAAAAABBBBBBBBCCCCCCDDDDDDDDEEEEEEEEEEEEEEEEFFFFFFFFGGG GGGGGHHHHHHHHIIIIIIIIIIIIJJJJKKKKKKKKLLLLLLLLMMMMMMMMNNNN NNNNNNNNOOOOOOOOPPPPPPQQRRRRRRRRRRSSSSSSSSSSTTTTTTTTUU UUUUVVVVVVVVWWWWWWXXXXYYZZZZZZÄÄÄÄÖÖÖÖÜÜÜÜÜܸ¸´´` `˝˝¨¨ Nach TGL 2967 (DDR Industrienorm). Weil ich das gerade brauchte. Vielleicht hilft es ja noch jemandem.
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Udo Jürgens – Indra

Ich habe da diese Theorie, dass ich nach einem Lied von Udo Jürgens benannt bin. Was sonst? 1970er Jahre, meine Eltern waren Schlagerfans, mein Vater hatte eine riesige Plattensammlung (zusammen mit dem hellblauen Käfer auch so ziemlich das einzige, was er mit in die Ehe brachte, wie meine Mutter ihm bis heute vorhalten würde). Erst […]
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I had never loved Helvetica

I had never loved Helvetica. Despite of being an omnipresent typeface, I really noticed and used her first in the form of the bland system font on a Mac Classic for my very first piece of typesetting as a design student. Although I can’t blame my unrefined typography solely on the crude font, I avoided […]
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Live Type Research in Barcelona

For those who followed my talk this morning at ATypI in Barcelona, here are some updates as they unfolded just in the past hour. Thankfully, Nina Stössinger and Dan Reynolds told me after my talk that the (OMG-excellent!) Antikvariat Morris stand at the conference had a copy of the first edition of Tschichold’s Neue Typographie […]
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