- * Indra Kupferschmid ist Typografin und Professorin an der Hochschule der Bildenden Künste Saar. Hier sammeln sich Fundstücke und Texte.
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The last 25:
- End of Saarbatical
- I hacked my Messages
- Discounts
- Taking Over Type Foundries
- Interview-Fundstück von Mai 2009
- Typographers are scholars
- Alastair Johnston rants about Helvetica
- The Hamilton Woodtype Museum is the coolest place in type world!
- Notes from Lyon
- Type used in Germany’s best designed books of 2012
- On Responsive Typography
- Multi-axes type families
- Some notes on the history of Akzidenz-Grotesk
- Type classifications are useful, but the common ones are not
- sans serif
- Fonts and intellectual property
- Zur Erinnerung: Der erste Spiekermann’sche Lehrsatz
- Firemen or Art Directors
- Font Shopping 2011
- Underused Gems Revisited
- ATypI Konferenz Leipzig 2000
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Classifications
arecan be useful - Life wasn’t easy in phototype days
- Thank you
- On Webdesign and Education
- New Ideas for Book Typography
Tag-Archiv: fonts
Font-Shopping Continues
In case someone actually still wants to buy fonts this year I better hurry up with my report. Alright, what more did I buy? . Okay Type: They (Jackson and his cat) have some really super fonts in the making, but only Alright Sans is ready for licensing yet. I had kept track of this interesting [...]
Font Shopping (Part I)
Last week I found myself faced with the rare and luxurious task to spend quite some money, quickly, and on something typography related. I guess I’m not alone with this end-of-year-business-expence problem, so instead of a list with cool things in type 2010 I want to share my shopping experiences here. As kind of a [...]
Veröffentlicht in Type, unterwegs Auch getagged a, english, Font Bureau, MyFonts, Process Type, schrift, Schriftwahl, shopping, super, Type, typo 13 Kommentare
Who is Gando?
Anyone in need of a topic for a typeface revival? Today in the mail: a type card by Eckehart SchumacherGebler featuring a rare Didone (together with a real one, the Pierre Didot by him and Vibert). The Roman and Italic was acquired by Offizin Haag-Drugulin of Leipzig in 1868 from the tradition-rich printer Tauchnitz, who winded up [...]
On Responsive Typography