- * Indra Kupferschmid ist Typografin und Professorin an der Hochschule der Bildenden Künste Saar. Hier sammeln sich Fundstücke und Texte.
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The last 25:
- Udo Jürgens – Indra
- I had never loved Helvetica
- Live Type Research in Barcelona
- Typeradio Interview
- Students and font licenses
- Auto-optical
- The task of the designer is sometimes also to prevent things
- Mike
- Things in Use
- Die Römische Linkskursive
- hurst
- Typographic Chinese Whispers
- Sarre by Sascha Timplan
- Publishing
- My German Reunification
- The Ideal Type Newsletter
- End of Saarbatical
- I hacked my Messages
- Discounts
- Taking Over Type Foundries
- Interview-Fundstück von Mai 2009
- Typographers are scholars
- Alastair Johnston rants about Helvetica
- The Hamilton Woodtype Museum is the coolest place in type world!
- Notes from Lyon
- Type used in Germany’s best designed books of 2012
- On Responsive Typography
- Multi-axes type families
- Some notes on the history of Akzidenz-Grotesk
- Type classifications are useful, but the common ones are not
- sans serif
- Fonts and intellectual property
- Zur Erinnerung: Der erste Spiekermann’sche Lehrsatz
- Font Shopping 2011
- Underused Gems Revisited
- ATypI Konferenz Leipzig 2000
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Classifications
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Kategorien-Archiv: Type
Typeradio Interview
My friends at Typeradio posted an interview with me this week which we recorded last December in Saarbrücken when Liza and Donald were over for a workshop at HBKsaar. Among other things, we talked about how I got into typography, Helvetica, Fonts In Use and typeface classification.
Students and font licenses
Below, a comment from a Typedrawers discussion from last year that sparked my list of educational discounts for fonts. Recently, a friend who will take a new teaching position in the fall, asked my advice about classroom licenses and purchasing font collections, so perhaps this note is of help to more people here, too. I teach undergraduate […]
Auto-optical
Size specific designs are (luckily) more popular and talked about than ever before. Users as well as type and software companies are discussing how the use of different design variants can be made easier and more intuitive, or best even automated, so that if you set the typeface in a certain font-size, the appropriate optical […]
Mike
Nick: I told Stephen the other day that I want to be Mike Parker when I grow up. Indra: I told DB that I want to be Mike Parker, too. And DB told me that Kent wants to be Mike Parker. Nick: I think everyone does. How could you not. Photo by Jay Rutherford, TypeCon […]
Veröffentlicht in Type Kommentieren
Die Römische Linkskursive
Gunther Schmidt is tracking the traces of the “linkskursiv” roman and italic lettering style, commonly used on maps, for years now. We were in contact a couple of times about this. Via three articles on his blog, he was able to dig up quite some information including this great lettering specimen from the “Musterblätter für […]
Veröffentlicht in Type Kommentieren
hurst
Please. I don’t want to read any more Bringhurst quotes in ‘typography on the web’ and ‘choosing fonts’ articles. Especially not the one with typography exists to honor content. Get beyond Bringhurst, people.
Veröffentlicht in Type Kommentieren
Sarre by Sascha Timplan
If I was to write about one typeface published in 2013, it would be Sarre by Sascha Timplan of Stereotypes. A bit random, and because I have a soft spot for these compact sans-serifs with angular notches, but an embarrassingly huge part because of its name and regional associations I have. And that although I’m […]
Veröffentlicht in Type Kommentieren
The Ideal Type Newsletter
I asked my followers on twitter how they would want their ideal type related newsletter to look like. Here are their answers. [View the story “The Ideal Type Newsletter” on Storify]
I had never loved Helvetica