- * Indra Kupferschmid ist Typografin und Professorin an der Hochschule der Bildenden Künste Saar. Hier sammeln sich Fundstücke und Texte.
Seiten
-
The last 25:
- auto-optical
- The task of the designer is sometimes also to prevent things
- Mike
- Things in Use
- Die Römische Linkskursive
- hurst
- Typographic Chinese Whispers
- grrxynwissbusuabkpf
- Sarre by Sascha Timplan
- Publishing
- My German Reunification
- The Ideal Type Newsletter
- End of Saarbatical
- I hacked my Messages
- Discounts
- Taking Over Type Foundries
- Interview-Fundstück von Mai 2009
- Typographers are scholars
- Alastair Johnston rants about Helvetica
- The Hamilton Woodtype Museum is the coolest place in type world!
- Notes from Lyon
- Type used in Germany’s best designed books of 2012
- On Responsive Typography
- Multi-axes type families
- Some notes on the history of Akzidenz-Grotesk
- Type classifications are useful, but the common ones are not
- sans serif
- Fonts and intellectual property
- Zur Erinnerung: Der erste Spiekermann’sche Lehrsatz
- Firemen or Art Directors
- Font Shopping 2011
- Underused Gems Revisited
- ATypI Konferenz Leipzig 2000
-
Classifications
arecan be useful - Life wasn’t easy in phototype days
- Thank you
- On Webdesign and Education
Kategorien-Archiv: Type
Mike
Nick: I told Stephen the other day that I want to be Mike Parker when I grow up. Indra: I told DB that I want to be Mike Parker, too. And DB told me that Kent wants to be Mike Parker. Nick: I think everyone does. How could you not. Photo by Jay Rutherford, TypeCon […]
Veröffentlicht in Type Kommentieren
Die Römische Linkskursive
Gunther Schmidt is tracking the traces of the “linkskursiv” roman and italic lettering style, commonly used on maps, for years now. We were in contact a couple of times about this. Via three articles on his blog, he was able to dig up quite some information including this great lettering specimen from the “Musterblätter für […]
Veröffentlicht in Type Kommentieren
hurst
Please. I don’t want to read any more Bringhurst quotes in ‘typography on the web’ and ‘choosing fonts’ articles. Especially not the one with typography exists to honor content. Get beyond Bringhurst, people.
Veröffentlicht in Type Kommentieren
Sarre by Sascha Timplan
If I was to write about one typeface published in 2013, it would be Sarre by Sascha Timplan of Stereotypes. A bit random, and because I have a soft spot for these compact sans-serifs with angular notches, but an embarrassingly huge part because of its name and regional associations I have. And that although I’m […]
Veröffentlicht in Type Kommentieren
The Ideal Type Newsletter
I asked my followers on twitter how they would want their ideal type related newsletter to look like. Here are their answers. [View the story "The Ideal Type Newsletter" on Storify]
Taking Over Type Foundries
Type foundries taking over other type foundries is a common thing in type history, but Linotype wasn’t the company at the front of actions. Stempel: 1897 takes over Juxberg-Rust, Offenbach 1915 takes over Roos & Junge, Offenbach 1919 takes over Hoffmeister, Leipzig 1919 takes over typefaces of Drugulin, Leipzig 1929 takes over Genzsch & Heyse, Hamburg (together with […]
Veröffentlicht in Allgemeines Kommentieren
Typographers are scholars
says Dan Solo: … typographers are all interested in the history of printing type. There comes a point at which, if you become a typographer, you’ll become a scholar. The two go hand in hand. It can’t be otherwise. I doubt that there are any really good typographers who are not scholars by nature. They […]
Veröffentlicht in Type Kommentieren
Alastair Johnston rants about Helvetica
This isn’t a Blue Pencil (could never challenge master Shaw), just a lazy, quick TextEdit. Alastair Johnston wrote an article on Helvetica posted on Smashing Magazine yesterday. I don’t want to comment on his strong opinion and cut out most of his subjective ranting. But some facts seem to have gotten a bit wonky. He […]
The Hamilton Woodtype Museum is the coolest place in type world!
However, they are being forced to move out of the old Hamilton factory building that houses them and have not funds enough to do so. A minimum of $250,000 is needed to pack up the 30,000 sq. feet of printing history and move to a new home yet to be found. Please consider helping them […]
auto-optical